“The Yale fellows gave an assured performance of Kati Agócs's intriguing Caritas, in which well-behaved but oddly unsettling two-part counterpoint for flute and cello becomes discombobulated when the stark piano part enters.” - THE NEW YORK TIMES
Read More“Combines great tensile strength with a gorgeous unfolding of luminous lyrical episodes, rich inventive counterpoint, and a feeling of deep, elusive mystery.” - THE BOSTON GLOBE
“Imagine my delight when a passage in the cellos soon captivated my ears with the makings of a truly individual voice, a voice that increased in color and ingenuity as the work continued.” - THE BOSTON HERALD
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